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Shinji Orito is a music creator involved in many Key works, composing the theme song "Tori no Uta" for "AIR" and the theme song "Astaroa" for "Summer Pockets REFLECTION BLUE."

Basic information
Japanese nameShinji Orito
Main areasGame music and song composition
Related songsBird Poem, Astaroa

Game music credits

"AIR," "CLANNAD," "Little Busters!", and "Summer Pockets REFLECTION BLUE" all feature Shinji Orito's music credit. The soundtracks for these games are usually composed of multiple players; The crediting of music at the work level and the specific song responsibilities fall within different scopes.

Bird poetry

The theme song for "AIR" was performed by Lia, composed by Shinji Orito, and arranged by Kazuya Takase. The lyricist credited to Key was listed in the release specifications. The composition and arrangement for this song are handled by different people.

アスタロア

The new opening theme for "REFLECTION BLUE" features lyrics by Kai, composed by Shinji Orito, and arranged by Yuichiro Tsukakoshi. The song also features credits for violin, guitar, and bass, indicating that the theme song recording includes independent arrangement and performance in addition to composition.

Additional information
Rewrite Ultra Self-Developed Activity Record Side Story: Part 1 PositionComposer
AIR positionsAIR original OST digital release record Composer
AIR positionsOriginal AIR OST digital release record production
CLANNAD positionCLANNAD original OST digital release record Composer
CLANNAD positionProduced the digital release record of the original CLANNAD OST
Little Busters! English Edition positionProduced by the digital release record of the original Little Busters! OST
Little Busters! English Edition positionLittle Busters! Original OST digital release record Mastering
Little Busters! English Edition positionLittle Busters! Original OST Digital Release Record Composer
Rewrite + positionsRewrite original OST digital release record Composer
Rewrite + positionsRewrite original OST digital release records production
AIR positionsComposer of the album version of "Kanon・AIR Piano Arrange Album Re-feel."
CLANNAD positionComposer for the album version of 'CLANNAD Image Vocal Album Solarado'
Little Busters! English Edition positionComposer of the record version of 'raison / How to Make Pickles Delicious.'
Little Busters! English Edition positionComposer of the record version of 'Cat, Glass, and the Round Moon'
Summer Pockets positionComposer of the catalog version of "Summer Pockets Original SoundTrack."
Summer Pockets positionProduced by the catalog version of "Summer Pockets Original SoundTrack."
Summer Pockets position"Summer Pockets Original SoundTrack" catalog version mastered
Summer Pockets REFLECTION BLUE positionComposer for the catalog version of "Summer Pockets REFLECTION BLUE Original SoundTrack."
Harmonia positionComposed for the catalog version of "Harmonia Original SoundTrack."
planetarian HD positionComposer of the album version of 'planetarian Original SoundTrack'
Summer Pockets positionComposer of the album version of 'Summer Pockets Character Song Sing!'
Summer Pockets REFLECTION BLUE positionComposer of the record version of 'Summer Pockets REFLECTION BLUE Character Song Sing!2'
Summer Pockets positionComposer of the album version of "Summer Pockets Arrange Album Swallow Tale."
Summer Pockets positionProduced the album version of "Summer Pockets Arrange Album Swallow Tale."
Summer Pockets positionThe "Summer Pockets Arrange Album Swallow Tale" record version has been mastered
Summer Pockets REFLECTION BLUE positionComposer for the album version of 'Summer Pockets REFLECTION BLUE Arrange Album Edain'
Summer Pockets positionComposer of the album version of 'Summer Pockets Orchestra Album Echoes of Summer.'
Harmonia positionComposer of the album version of 'Harmonia Piano Arrange Album teneritas'
Harmonia positionComposer of the record version of "Melody I Want to Deliver / To the Eternal Star."
planetarian HD positionComposer for the album version of 'Star Boat / Gentle Jena (Animated Star Person)'
Summer Pockets REFLECTION BLUE positionComposer of the record version of 'Astaroa / Blue Hourglass / Natsu no Hourglass'
Rewrite + positionsProducer of Selene Special Edition Album
Rewrite + positionsSelene Digital Reboot Edition Composition
LUNARiA - Virtualized Moonchild - positionLUNARiA official soundtrack "LUNAR RISE": Composer
LUNARiA - Virtualized Moonchild - positionLUNARiA official soundtrack "SKYOUT FOREVER": Composer
LUNARiA - Virtualized Moonchild - positionOriginal voice producer
LOOPERS positionLOOPERS original soundtrack "One Thousand Nights VORTEX": Composer
LOOPERS positionLOOPERS Original Soundtrack "VORTEX" - Audio Source Programming
LOOPERS positionLOOPERS Original Soundtrack "Tautology": Composer
LOOPERS positionLOOPERS Original Soundtrack "Tautology": Source programming
LOOPERS positionLOOPERS Original Soundtrack "Treasure Hunt": Composer
LOOPERS positionLOOPERS Original Soundtrack "Treasure Hunt": Sound source programming
LOOPERS positionLOOPERS original soundtrack "VORTEX (Tranquil Arrange)": Composer
LOOPERS positionLOOPERS Original Soundtrack "VORTEX (Tranquil Arrange)": Audio programming
LOOPERS positionLOOPERS Original Soundtrack "Night View": Composer
LOOPERS positionLOOPERS Original Soundtrack "Night View": Programming for audio sources
LOOPERS positionLOOPERS original soundtrack "One Thousand and One Nights VORTEX (Dreamy Arrange)": Composer
LOOPERS positionLOOPERS original soundtrack "Dream of Time": Composer
LOOPERS positionLOOPERS original soundtrack "VORTEX (Piano Arrange)": Composer
LOOPERS positionLOOPERS Original Soundtrack "VORTEX (Piano Arrange)": Audio programming
LOOPERS positionLOOPERS original soundtrack "Treasure Hunt with You": Composer
LOOPERS positionLOOPERS Original Soundtrack 'Treasure Hunt with You': Sound source programming
planetarian HD positionJUKEMATA's "Snow Globe" Adaptation Recording: Composer
Harmonia positionJUKEMATA's "Vitae" adaptation recording: Composer
planetarian HD positionJUKEMATA's "Starry Boat" rearrangement and recording: Composer
Rewrite Harvest festa! position《“Feast” Rewrite Harvest festa! Original Soundtrack version
Tomoyo After ~It's a Wonderful Life~ positionComposer of the version of 'Tomoyo After Original SoundTrack.'
Tomoyo After ~It's a Wonderful Life~ positionProducer of Track 2 of the Official Digital Soundtrack
Tomoyo After ~It's a Wonderful Life~ positionOfficial digital soundtrack 2 mastering
Tomoyo After ~It's a Wonderful Life~ positionProducer of Track 3 of the official digital soundtrack
Tomoyo After ~It's a Wonderful Life~ positionOfficial digital soundtrack 3 mastered
Tomoyo After ~It's a Wonderful Life~ positionProducer of Track 6 of the Official Digital Original Soundtrack
Tomoyo After ~It's a Wonderful Life~ positionOfficial digital soundtrack track 6 mastered
Tomoyo After ~It's a Wonderful Life~ positionOriginal composition for the "CLANNAD/Tomoyo After Piano Arrange Album Piano Forest" version
Rewrite + positionsComposer for the version of 'Rewrite 10th memorial Arrange Album Forestia'
planetarian HD positionComposer for the 'planetarian ~Snowflake Ball~ Original Sound Tracks & Voice Drama CD' version

Light colors and the original soundtrack of Star Dream

He composed the Light colors for Tomoyo After; KSLA-0025 also notes that the original soundtrack of 'Star Dream' includes his new track, but this note does not specify the author for each track.

Participated in works

anemoi: music production; Rewrite Harvest festa!: music; Dream of the Stars - Snow Circle Ball: Music; anemoi: Composer: Eternicles; Star Dream - Snow Globe: Composer: Snow Globe.

Participation in the work

Shinji Orito participated in 'CLANNAD' and was responsible for the music.

Shinji Orito, Advisor 《Little Busters!》 English Edition, as the composer.

Shinji Orito participated in 'Summer Pockets REFLECTION BLUE' and composed the music.

Shinji Orito participated in 'Kanon' and was responsible for the music.

Shinji Orito participated in 'AIR' and was responsible for the music.

Shinji Orito participated in 'Rewrite+' and composed the music.

Shinji Orito participated in 'Harmonia' and was responsible for the music.

Shinji Orito participated in "LOOPERS" and was responsible for the song.

Shinji Orito participates in 'LOOPERS' and is responsible for the soundtrack.

Shinji Orito participated in 'LUNARiA -Virtualized Moonchild-' and served as sound producer.

Composed for Shinji Orito's track "Astaroa," which is related to "Summer Pockets REFLECTION BLUE."

Shinji Orito composed 'Tori no Uta' in charge, which is related to 'AIR'.

Shinji Orito composed the song for "Philosophyz," which is related to "Rewrite+."

Shinji Orito composed the song "LUNAR RISE," which is related to "LUNARiA -Virtualized Moonchild-."

Rewrite Super Self-developed Event Record Side Story: Related Production for the First Part

Shinji Orito participates in 'Philosophyz (Ruchihaya edition)', credited as composer. Shinji Orito (advisor) (Sunbright (Luci Haya edition), credited as composer. Shinji Orito, advisor to 'Love Luci Haya ♡ Rolling (Luchi Haya version)', signed as composer. Shinji Orito participated in 'Philosophyz (Lucia solo version)', credited as composer. Shinji Orito participated in 'Philosophyz (Chihaya solo version)', credited as composer. Shinji Orito's participation in 'Love Lucci Haya ♡ Rolling (Lucia solo version)', credited as composer. Shinji Orito participated in 'Love Ruchi Haya ♡ Rolling (Chihaya solo version)', signed as the composer.

AIR-related production

Shinji Orito was credited as the composer in the digital release record of the original AIR OST. Shinji Orito credited the production in the digital release record for the original AIR OST. Shinji Orito credited the composer for the album version of 'Kanon・AIR Piano Arrange Album Re-feel.'

CLANNAD-related productions

Shinji Orito credited the composer in the digital release record of the original CLANNAD OST. Shinji Orito credited the production in the digital release record of the original CLANNAD OST. Shinji Orito credited the composer on the album version of the "CLANNAD Image Vocal Album ソララド."

Little Busters! English Edition related production

Shinji Orito was credited as the producer in the digital release record of the original Little Busters! OST. Shinji Orito credited the original Little Busters! OST digital release record for the mastering process. Shinji Orito credited the original OST digital release record for Little Busters! as the composer. Shinji Orito credited the composition on the album version of "raison / Pickles Make Deliciously." Shinji Orito credited the composer on the album version of 'Neko to Glass to Eni Tsuki / Alicemagic.'

Rewrite + related production

Shinji Orito credited the original OST digital release record as the composer. Shinji Orito signed the production record in the digital release record of the original Rewrite OST.

Shinji Orito credited the original OST digital release record as the composer. Shinji Orito signed the production record in the digital release record of the original Rewrite OST. Shinji Orito was signed as the producer for the Selene bonus album. Shinji Orito credited the composer for the Selene digital reprint edition.

Shinji Orito credited the original OST digital release record as the composer. Shinji Orito signed the production record in the digital release record of the original Rewrite OST. Shinji Orito was signed as the producer for the Selene bonus album. Shinji Orito credited the composer for the Selene digital reprint edition. Shinji Orito explicitly credits the composer in the version of "Rewrite 10th memorial Arrange Album Forestia."

Summer Pockets related production

Shinji Orito credited the composer for the catalog version of 'Summer Pockets Original SoundTrack.' Shinji Orito credited the production for the catalog version of "Summer Pockets Original SoundTrack." Shinji Orito credited the "Summer Pockets Original SoundTrack" catalog version for the master tape. Shinji Orito credited the composer for the album version of "Summer Pockets Character Song Sing!" Shinji Orito credited the composer for the album version of "Summer Pockets Arrange Album Swallow Tale." Shinji Orito signed the production on the album version of "Summer Pockets Arrange Album Swallow Tale." Shinji Orito credited the album version of "Summer Pockets Arrange Album Swallow Tale" as the master track. Shinji Orito credited the composer for the album version of 'Summer Pockets Orchestra Album Echoes of Summer.'

Summer Pockets REFLECTION BLUE-related production

Shinji Orito credited the composer for the catalog version of "Summer Pockets REFLECTION BLUE Original SoundTrack." Shinji Orito credited the composer for the album version of 'Summer Pockets REFLECTION BLUE Character Song Sing!2'. Shinji Orito credited the composer for the album version of "Summer Pockets REFLECTION BLUE Arrange Album Edain." Shinji Orito credited the composer on the album version of 'Astaroa / Aoki Koho / Natsu no Hourglass.'

Harmonia-related production

Shinji Orito credited the composer in the catalog version of the "Harmonia Original SoundTrack." Shinji Orito credited the composer for the album version of "Harmonia Piano Arrange Album teneritas." Shinji Orito credited the composer on the album version of 'Toteketai Melody / To the Forever Star.'

Shinji Orito credited the composer in the catalog version of the "Harmonia Original SoundTrack." Shinji Orito credited the composer for the album version of "Harmonia Piano Arrange Album teneritas." Shinji Orito credited the composer on the album version of 'Toteketai Melody / To the Forever Star.' Shinji Orito credited himself as the composer for the JUKEMATA's 'Vitae' adaptation recording.

Planetarian HD related production

Shinji Orito credited the composer for the album version of 'planetarian Original SoundTrack.' Shinji Orito credited the composer for the album version of 'Hoshi no Funaga / Gentle Jena (anime Star Man)'.

Shinji Orito credited the composer for the album version of 'planetarian Original SoundTrack.' Shinji Orito credited the composer for the album version of 'Hoshi no Funaga / Gentle Jena (anime Star Man)'. Shinji Orito credited himself as the composer for the JUKEMATA's 'Snow Globe' adaptation. Shinji Orito credited the composer for the recording of the JUKEMATA's 'Hoshi no Fune' rearrangement.

Shinji Orito credited the composer for the album version of 'planetarian Original SoundTrack.' Shinji Orito credited the composer for the album version of 'Hoshi no Funaga / Gentle Jena (anime Star Man)'. Shinji Orito credited himself as the composer for the JUKEMATA's 'Snow Globe' adaptation. Shinji Orito credited the composer for the recording of the JUKEMATA's 'Hoshi no Fune' rearrangement. Shinji Orito was explicitly credited as composer for the "planetarian ~Yukikkenkyū~ Original Sound Tracks & Voice Drama CD" version.

LUNARiA - Virtualized Moonchild - Related production

Shinji Orito was credited as the composer for LUNARiA's official soundtrack "LUNAR RISE." Shinji Orito was credited as the composer for LUNARiA's official soundtrack "SKYOUT FOREVER." Shinji Orito was credited as sound producer for the original SPEC of 'LUNARiA' and participated in composing specific soundtrack tracks.

LOOPERS related productions

Shinji Orito was credited as the composer for LOOPERS' original soundtrack "One Thousand and One Nights VORTEX." Shinji Orito credited the LOOPERS soundtrack for "One Thousand and One Nights VORTEX" as the audio programmer. Shinji Orito credited the composer for LOOPERS' original soundtrack "Tautology." Shinji Orito credited the LOOPERS soundtrack for "Tautology" as a sound source programmer. Shinji Orito credited the composer for LOOPERS' original soundtrack "Treasure Hunt." Shinji Orito credited the LOOPERS soundtrack for "Treasure Hunt" as the sound programmer. Shinji Orito credited as the composer for LOOPERS' original soundtrack "VORTEX (Tranquil Arrange)." Shinji Orito credited the LOOPERS soundtrack for VORTEX (Tranquil Arrange). Shinji Orito was credited as the composer for LOOPERS' original soundtrack "Night View." Shinji Orito was credited as the audio programming artist for LOOPERS' original soundtrack 'Night View.' Shinji Orito was credited as the composer for LOOPERS' original soundtrack "One Thousand and One Nights VORTEX (Dreamy Arrange)." Shinji Orito signed the song as the composer for LOOPERS' original soundtrack 'Toki no Yume'. Shinji Orito credited the composer for LOOPERS' original soundtrack "One Thousand and One Nights VORTEX (Piano Arrange)." Shinji Orito credited as a sound programmer for LOOPERS' original soundtrack "Senya Ichiya VORTEX (Piano Arrange)." Shinji Orito credited the composition for LOOPERS' original soundtrack "Kimi no Ho Tanshi." Shinji Orito signed his name as the audio programming artist for LOOPERS' original soundtrack "Kimi no Ho Tanshi."

Rewrite Harvest festa! related production

Shinji Orito at "Feast" Rewrite Harvest festa! The original soundtrack version is clearly credited as the composer.

Tomoyo After ~It's a Wonderful Life~ related production

Shinji Orito explicitly credits the composer in the version of 'Tomoyo After Original SoundTrack.' Shinji Orito clearly credits the producer on the official digital soundtrack track 2. Shinji Orito explicitly credits the second track of the official digital soundtrack as mastered. Shinji Orito clearly credits the producer on the third track of the official digital soundtrack. Shinji Orito explicitly credits the third track on the official digital soundtrack as mastered. Shinji Orito clearly credits the producer on the official digital soundtrack 6. Shinji Orito explicitly credits the official digital soundtrack on track 6 as mastered. Shinji Orito clearly credits the original composer in the version of 'CLANNAD/Tomoyo After Piano Arrange Album Piano no Mori'.

The production foundation beyond just composition

In a 2008 Key staff Q&A, Hayato Tonogawa introduced that besides composing, Shinji Orito was also responsible for studio management, network management, and music mastering.

Recording and concert supervision in 2018

In his development diary on February 21, 2018, Orito recorded that he had recently completed vocal recording for "Summer Pockets," with singer Konomi Suzuki being his first collaboration. The same diary also introduces the key orchestral concert supervisor he is currently involved in.

The combination of soundtrack and setting

In a 2022 interview, Shinji Orito said that the soundtrack should work with CG and dialogue to reinforce the scene, so it doesn't overpower the dialogue and should remind players of the corresponding scene when they hear the music. When faced with different playback environments like headphones and speakers, he sets his own reference standards and repeatedly adjusts the mixing balance.

The programming arrangement of the Keytone Festival

After the 2025 "Key Music Festival," Orito looked back that this instrumental concert took more than ten years from planning to event, with the program progressing in order of Key works.

Production and mastering of the Kanon three-track system

For the Kanon digital soundtrack, Orito handled the master tapes for "Promise," "Pure Snows," and the full-length version of "Kaze no Tarikaku Basho," and also produced the latter two tracks.

Commissioned as a reference song for the 2011 album "Rewrite."

When producing the soundtrack for "Rewrite," some scripts for corresponding scenes were not yet completed, so Orito used reference songs provided by Tsunokawa to determine the sound direction. Tonokawa also borrowed Mae's music library to repeatedly audition to prepare for campus and battle scenes.

Melody listening and arrangement feedback

After completing the melody and minimal accompaniment, Zhehu first hands it to the scriptwriters for a listen, and only after approval can production continue. Dunai River would propose adjustments to the arrangement direction; This collaboration usually preserves the melody itself, continuing to refine its sonic expression.

Guitar demo recording from 2011

Orito practiced guitar and recorded demo audio for handling string instruments that are difficult to accurately reproduce in expressive programming. He communicated subtle touches to the player through his own demos, while professional guitarists were invited for official recordings.

Track-by-track composition for Ecstasy Tracks

The digital track compositions for "Will&Wish," "Labyrinth," "Shadow Buster," and "Alicemagic -Rockstar Short Ver.-" are all credited to Shinji Orito.

2011 Symphonic section of "Rewrite."

In a 2011 interview, Orito said that this piece features symphonic pieces rarely seen in Key, and the string entry and phrasing posed challenges for him. He mentioned that he wasn't sure how to coordinate with the violin, viola, cello, and bass section, and recalled that he seemed to have told the team he couldn't complete it.

Kanon: Composition and division of labor according to the script

When discussing his collaboration with Jun Maeda, Orito recalled: Maeda wrote the music for her own script and took on the other parts, and the two didn't meet in detail for each piece. When handing over with I've, he mainly contacted Kazuya Takase, with Tomoyuki Nakazawa assisting in communication; that year's audio was confirmed via DAT tape mail.

Kanon Ending: First song production and feedback

The ending credits of "Kanon" mark Orito's first time creating a song. Baba pointed out that the chorus's characteristics were not distinct, and this feedback influenced the order in which he later wrote "Bird Poems": starting with the chorus.

Recollections: track-by-track composition records

"Recollections" Digital Track List: Tracks 1, 3, 6, 8, 10, 12, 13 composed by Shinji Orito, featuring "Pure Snows," "Morning Shadows," "Town of Sunlight," "Their Views," "Permafrost Highlands," "Newly Born Wind," and "Little fragments."

AIR: Composition parallel to development

Orito recalled that when writing "Tori no Uta," the game was also in development, and he was not yet clear about the complete work; it was only during the demo stage that he understood the finished product.

AIR: Recording live in Los Angeles

He attended the recording in Los Angeles and was confident in the recording at the time; He also said that at that time, he was not very skilled at guiding live vocal recordings.

Feedback from the director of the Planetarian animation

In 2016, the animation soundtrack was being produced, with Donmaru Orito and Takeshita in collaboration. He explained his ideas to Tsuda piece by piece, accepted the director's feedback, and continued to refine the coordination between the music and visuals.

Computer music exchange during high school

During high school, Orito met music enthusiasts such as Naoya Shimokawa through a music BBS for computer communication. They auditioned game music, adapted songs according to their own ideas, and exchanged ideas over the weekend.

Computer Composition and the Starting Point of Career

Early music exchanges used MML and "レコンポーザ" running on MS-DOS, where partners exchange files and listen to them. After graduating from high school, Zhe Hu worked as a programmer at a bank-related company; After leaving the job, he worked part-time at a game store, then accepted Shimokawa's invitation to co-establish U-Office.

Kanon learns vocal melodies

When producing the song "Kanon," Orito had previously focused on instrumental music, accustomed to treating the vocals as a kind of instrument, and first considered the sound combination of the entire song. He rented pop music CDs from the time and studied melody compositions suitable for vocals.

The long-term impact brought by bird poetry

Orito recalled that it took two or three years after the release of "Tori no Uta" (Poem of the Bird) that he gradually felt the widespread response to the song. Players' covers keep spreading; Since then, when receiving external commissions, he has often been asked to write pieces with the charm of 'Tori no Uta.'

A 2014 singer album project

In 2014, the public release project for Ayaka Kitazawa's debut album was produced and directed by Orito. After receiving the composer's rough sample, the project arranges recording and singing, followed by mixing and mastering; The published budget also separately lists these jobs and singer and musician compensation.

Processes and management beyond composing

Orito recalled that after completing the music for "Shizuku," he even recorded the character script; He also participated in map work during the development of Filsnown.

In a 2025 interview, besides composing, Orihu also handled events, records, external liaison, and accounts, and participated in subordinate development and personnel evaluations.

Ishikawa's musical feedback

Orito regards Ishikawa's detailed examination of missounds and conflicting sounds as a constraint in his early compositions.

Album scale and old song treatment

"circle of fifth" expanded from a single CD concept to a double CD, adding newly written songs. Orito actively updates earlier songs, while recent works like "Rewrite" intend to retain the original tracks.

Observations on Kitazawa's recorded singing

In 2012, Orito recalled that during the hiatus of "circle of fifth," Kitazawa continued practicing, and his performance in the sequel showed improvement compared to his previous recording of "Orpheus."

Synthesize the audition melody by singing

In a 2011 interview, Orito explained that he asked a colleague to change the melody to Hatsune Miku's singing, and to listen to the lyrics and subtle expressions; The singing details still need adjustment.

Selection of presentations from Goldenfield

According to Shuhei Ohashi's recollection, he submitted several "Goldenfield" demos to Shinji Orito, one of which was accepted.

anemoi's open music commission

Kui commissioned Orito to create music based on his own understanding of the 'anemoi' worldview. The soundtrack is based on the scarce electricity and slow pace of life, minimizing electronic sounds and incorporating live sounds like grass flutes and ocarinas. During the song selection, external composers are encouraged to showcase their strengths, and the work is matched to the appropriate setting.

Recording and arrangement during the production of Key's songs

When producing "Alkatale" in 2018, Orito pursued nostalgia, a sense of speed, and a fantastical atmosphere, adding piano introductions that were not originally present based on Baba's feedback.

When Lia recorded "Song of Time" at the old Osaka studio, Orito was in charge of the vocal recording process. He remembers that in the last five beats of the chorus, there was almost no time to breathe, and Lia struggled to sing this section.

When writing "SKYOUT FOREVER," Zhie Hu adopted a UK hardcore style, layering multiple vocal styles, and tried vocal clipping for the first time; Early "destroyer" shows his preference for electronic four-beat rhythms, repetition of basic phrases, and gradual progression.

Organizing and checking KeyBOX

Orito recalls: In 2019, the production of "KeyBOX -for two decades-" took about half a year, which involved compiling track titles and production lists, and auditing 50 CDs one by one, which was especially labor-intensive.

Related entries

References

Rewrite based on the listed materials; No complete lyrics, scripts, or audiovisual materials are included.

Data compiled on: 2026-10-07.

本版编辑:免费机器翻译 · 2026-10-17

内容许可:CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订