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Chief Editor Tsukishima

Tsukishima, General Secretary and Advisor: "Kamitsubaki City under construction." REGENERATE', with credited roles including director, original work, script, and world-building design.

Additional information
Works PositionsKamitsubaki City is under construction. REGENERATE / Director, original work, script, and worldview design
Related worksSecret Game Second Stage
Secret Game Second Stage: Signature PostNew Script Team Members
Secret Game: Second Stage Switch version: PostScript

Participated in works

"Kamitsubaki City under construction." REGENERATE: Director, original work, script, and world-building design.

Secret Game Second Stage: New Script Team Members

In 'Secret Game: Second Stage,' Souki Tsukishima is responsible for the new script team.

Secret Game: Second Stage is produced for the Switch version

The script for 'Secret Game: Second Stage Switch Version' is credited by Souki Tsukishima.

Check character actions by minute

Soki Tsukishima checks characters' actions within the facility minute by minute for Route A, avoiding conflicts between time and location.

A large-scale rewriting of the scale

Tsukishima Soki recalls that the original Root Double was almost entirely rewritten to improve pacing and reduce repetition.

A joint discussion of the final plot

Soki Tsukishima and Itakumi Nakazawa once disagreed on the final plot, but after rediscussion, they combined their ideas.

Combine the characters' individual stories

Soki Tsukishima first conceived separate stories for the main and supporting characters, then combined their experiences and creative ideas into the Root Double.

Early discussions with personal note-taking tools

In the early stages of producing "Root Double," Soki Tsukishima and Takumi Nakazawa discussed continuously for more than ten hours. In the same interview, Tsukishima also mentioned that he uses FrieveEditor to manage ideas and notes in his work.

Preparation for reading hard sci-fi scripts

In an interview, Souki Tsukishima recalled that to write "Root Double," he continuously studied hard science fiction; Supervisor Nakazawa gave him a minimum list of works he should read. Reading preparation helps him acquire the foundational knowledge needed to write the work.

Feedback on operational works and character proposals

When discussing writing for operational games, Souki Tsukishima said he reviews the reactions from characters and their expressions on social media, then continues to organize the story. In addition to responding to key figures assigned by the operators, he also proactively offers suggestions for in-depth depictions of specific characters.

Rebellions proposed writing with three people

Tsukishima recalled that while he was still working on "Root Double," Hinata and Tora had already prepared several simple plot cases for "Rebellions" based on memos from the original creators. After he officially joined, he picked ideas and the three of them worked together to build the story; B proceeded smoothly, and C discussed for several days to avoid repeating A and B, and the final plan was adopted after Nakazawa's approval.

When explaining Team Tsukishima's collaboration, Tsukishima said the three of them first discussed ideas, mainly selecting opinions and organizing them into a coherent plot. After completing the plot case, they are assigned to write together according to their strengths; Even when he was in charge, the scenes he wrote would still be pointed out by Hinata and Tora. He also explained that Tora supplemented his weak areas with comedy, school themes, and ideas, while Hinata provided logical construction and solutions to plot problems.

Decide on the direction of adaptation with the director

Tsukishima recalled that during discussions with Nakazawa during the "Rebellions" meeting, he decided to rewrite B and add a C role, listening to the director's wishes to give the original characters little room to shine and make future developments unpredictable.

The original version requires depicting tragic outcomes

According to Nakazawa's 2011 interview on the original development of Root Double, Soki Tsukishima disliked detailed depictions of brutal scenes. Nakazawa still asked him to write a necessary but not excessive tragic outcome, leaving players with regret for not saving others and motivating them to lead the story toward a better outcome.

"Kamitsubaki City under construction." An early project of '

In a 2026 interview, Souki Tsukishima recalled that in November 2019, Sou Momo invited Tsukishima to create stories about the Kamitsubaki artists and introduced Tsukishima to meet PIEDPIPER. The following month-long continuous discussion determined the world, the stage, and the main figures; The title and format of ARG were decided before Tsukishima joined.

Parallel production of pre-story stories and spin-offs

"Kamitsubaki City under construction." While EMERGENCE was still in development, Tsukishima had already completed its story and begun writing the prequel novel 'Memoirs of a Certain Observer,' while also advancing 'REGENERATE,' 'NARRATIVE,' and animation. The direction of the series expansion was already decided during the production of "EMERGENCE"; Tsukishima continues to handle world setting and supervision, with each work having its own director and main producer.

Deduce the sci-fi setting from the theme

Tsukishima gathered ideas from PIEDPIPER into global themes, defering settings such as fragments and terrarium cities. Originally, the characters were contrasted with witches and demons, but after discussions about science fiction and PIEDPIPER's wording, the 'teserator' setting was formed. Tsukishima also continues to observe discussions on Kamitsubaki's official Discord, using viewer-submitted clues from the Descartes demonic thought experiment to conceive a formidable opponent.

Invitations for VR project performances and script assignments

Tsukishima recognized Regista's performances through collaborations on "Root Double" and "Rebellions" and invited its members to participate in "Kamitsubaki City Under Construction." VIRTUAL REALITY》。 According to Takuya Himeji of Gugenka, Tsukishima also included performance assignments in the script, allowing members who were taking on visual novel scripts for the first time to create scenes based on the designation and combine Regista's production experience to complete the work.

Song-by-track negotiation for VR music

Kento Asahina wrote in 'Kamitsubaki City Under Construction.' In the music interview on 'VIRTUAL REALITY,' he and Souki Tsukishima repeatedly discussed the overall story and the role of track-by-track BGM. These exchanges continue over years, with both sides proposing ideas and forming music through communication.

Related entries

References

Data compiled on: 2026-10-12.

本版编辑:免费机器翻译 · 2026-10-23

内容许可:CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订