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Maiko Inouchi

Maiko Inouchi is responsible for the music on "Rewrite Harvest festa!".

Additional information
SignatureMaiko Inouchi
Rewrite Ultra Self-Developed Activity Record Side Story: Part 1 PositionComposer
Rewrite + positionsRewrite original OST digital release record Composer
Rewrite + positionsSelene Digital Reboot Edition Composition
Rewrite Harvest festa! position《“Feast” Rewrite Harvest festa! Original Soundtrack version
Rewrite + positionsComposer for the version of 'Rewrite 10th memorial Arrange Album Forestia'

Participated in works

Rewrite Harvest festa!: music; Rewrite Harvest festa!: Composed and arranged by Harvest; Rewrite Harvest festa!: Composer: Harvest -After School Ensemble Ver.-.

Participation in the work

Maiko Inouchi participated in "Rewrite+" and served as the composer.

Rewrite Super Self-developed Event Record Side Story: Related Production for the First Part

Maiko Inouchi participated in 'Love Cherry Blossom Blooming Frontline (Ruchihaya Edition)', credited as composer.

Rewrite + related production

Maiko Inouchi credited the original Rewrite OST digital release record as the composer.

Maiko Inouchi credited the original Rewrite OST digital release record as the composer. Maiko Inouchi credited the Selene digital reprint version as the composer.

Maiko Inouchi credited the original Rewrite OST digital release record as the composer. Maiko Inouchi credited the Selene digital reprint version as the composer. Maiko Inouchi is clearly credited as the composer in the version of "Rewrite 10th memorial Arrange Album Forestia."

Rewrite Harvest festa! related production

Maiko Inouchi in "Feast" Rewrite Harvest festa! The original soundtrack version is clearly credited as the composer.

Learning and game sound development

Maiko Iuchi studied piano as a child, played drums in a band from middle to high school, and later graduated from the Music Design Department at Kunitachi College of Music. She studied modern music, recording, and sound design, and worked in the sound development department of a game company for four to five years.

The starting point of cooperation with I've

In 2002, her friend Tomoyuki Nakazawa invited her to participate in the production of I've, forming an early collaboration. Her official personal profile also mentions that after purchasing "Disintegration," she was influenced by this record and continued to devote herself to music creation.

The structure of PIST

Inouchi set the traditional structure for "PIST" with Japanese lyrics, club vibes, electric guitar, and → chorus → A and B sections, turning the chorus into a relaxed section similar to club music break; Under these constraints, she reworked about five drafts to reach the final form.

Composer and arrangement of "It's no big deal."

Inouchi suggested writing the lyrics for "It's no big deal" first, so Kawada submitted the first paragraph and reference audio first, and Inouchi then wrote the melody based on that. Inouchi recalled that the melody took shape in about thirty minutes, contrasting with the repeatedly rewritten "PIST."

The introduction of "It's no big deal" uses a time change, echoing the album's concept of illusion. Inouchi initially arranged the work with a relatively simple arrangement, then gradually added more sounds while retaining a clear beat.

Listening and mixing of "PARABLEPSIA."

Inouchi attended the production meeting for "PARABLEPSIA" via Skype, and after hearing progress on other tracks, paid attention to whether his own tempo, tone, and style scheme overlapped.

"PIST" and "It's no big deal" were mixed by Kentaro Ino, with Inouchi, Nakazawa, and Kawada participating as TDs. Inouchi said these are the two songs she can participate in at I've in the final stage.

Fushi-Gino-Ana's musical style adjustment

According to KOTOKO's recollection, to balance the album, she originally considered asking Maiko Inouchi to write a ballad, but ultimately changed it to "フシ-ギノ-アナ." She proposed demands for rock, continuous thrust, and slightly soft guitar, which Iouchi organized together.

The first verse of the restart is treated like a verse

According to KOTOKO's recollection, when Maiko Inouchi arranged "Restart," she reduced the chord feel to make the opening verse softer; This also increased the difficulty of recording and singing.

Pre-recording communication with Lostorage

According to Yuka Iguchi's recollection, before recording the 2016 anime opening theme "Lostorage," she met with composer Maiko Inouchi to check her vocal style and discuss vocal techniques before officially recording.

In 2012, collaborated on the sequel song with Kawada

When producing "Don't stop me now!" for Mami Kawada's 2012 "SQUARE THE CIRCLE," Inouchi responded to the commission to continue the atmosphere of "TOY"; The meaning of the lyrics is continued by Kawada to describe the protagonist's life after leaving the castle.

Related entries

References

Data compiled on: 2026-10-10.

本版编辑：免费机器翻译 · 2026-10-23

内容许可：CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订