In the official prequel, Shino tries out a camera from an electronics store and discovers that images can recreate the feelings of first encountering a scene. So she decided to buy a camera and return to her hometown to shoot, unwilling to forget her past or future self.
Content and inclusion
In the official prequel, Shino tries out a camera from an electronics store and discovers that images can recreate the feelings of first encountering a scene. So she decided to buy a camera and return to her hometown to shoot, unwilling to forget her past or future self.
The room in the photo is the same as the old self
Satomi shows Shino a photo of the hometown cat giving birth. Shino had already received some of them and still recognized the tatami mats and frosted glass doors in the picture. He remembered how they often went to see cats, but found it hard to connect their former selves with their present.
A snapshot captured during the test shoot
She saw the scene inside the store on the camera screen, and the anticipation and unease she felt upon entering resurfaced, making her involuntarily press the shutter. Although she didn't know how to look back at the saved photos, she realized that this moment was still in the camera; This is the decision to record the specific actions before the experience in the future.
Related entries
- Related works:Summer days beyond the land
- The protagonist of the photographic motif:Shino (Natsuhi Kanata)
References
Data compiled on: 2026-10-10.