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Maon Nishikawa

Maon Nishikawa participated in 'Usotsuki to Inugami Tsuki', serving as the original concept and script for the work.

Additional information
Position confirmedOriginal concept and script
Sheep's Ark: Signature postScript

Record the production

The production list lists Maon Nishikawa as the original concept and script. This position corresponds to the specific production scope of this work.

The production of "Ark of the Sheep."

Maon Nishikawa credited the script for this work.

Temporary character names and finalized scripts

When Maon Nishikawa wrote 'Rain of the Symphony,' the character once used temporary German names such as Ein and Zwei. The official name was decided relatively late, and the script had already completed a considerable amount of content. Therefore, after naming, the titles in the text were uniformly replaced, and character naming and plot writing were not completed simultaneously.

Anniversary short stories and endings have equal status

In the 20th anniversary submission call for 'Rain of Symphonic Music,' Xichuan not only used submission ideas but also responded to players' requests for follow-up to the endings of Aliyeta and Doruda, arranging three short stories. He treats each ending as a fully established IF, hoping that when the sequel expands its own world, no one ending will be elevated to become the sole canon.

Invitation and submission of the Symphonic Rain

At that time, Nishikawa was active at Q'tron, and after Beatami played the KID series he participated in, she invited him. In collaborations, Nishikawa usually organizes his ideas internally first, then hands over the plot outline to Beatmy for judgment.

Listen to the lead singer write the script

Maon Nishikawa recalled that the production of "Rain of Symphony" roughly began with providing Ritsuko Okazaki with plot outlines for each character, then he listened to her director and sang while writing the script. The song echoes the hidden stories of each character.

He used the plot before and after the song to depict the characters' emotions, leaving the music to Okazaki; The script was not written to create additional scenes to highlight the song.

Lead vocals and original ending credits

Nishikawa remembered that Okazaki's guide and vocals included fewer vocals, so her slightly hoarse voice was especially clear. He recalled that other songs shifted from director singing to voice actor singing, but the ending credits "Namida ga Hoo o Nagare mo Nagare too" retained Okazaki's own singing.

Related entries

References

Data compiled on: 2026-10-07.

本版编辑:免费机器翻译 · 2026-10-15

内容许可:CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订