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Ebata Ikuko

Ghost Cry Street Tears Exhausted Bell Sound Sound for "Soul for the Sword" lyrics.

Additional information
Ghost Cry Street Tears Bell sound system responsibilitiesLyrics for the ending theme
Sin Comes Uberich: Advent Sinners positionChorus lyrics
Chaos Head positionLyrics by the author
Position at the Divine Tree PavilionLyrics by the author
Muv-Luv Alternative positionLyricist for the record version of 'Muv-Luv Alternative Original Soundtrack VOL.2'

Materials

In the public production materials for 'Ghost Cry Street: Tears Finished Bell Sound,' he was credited with 'Soul for the Sword' as the lyricist.

Production responsibilities for 'Song of Saya.'

The lyrics and music credits for Saya's songs are credited to Ikuko Ebata.

Work in 'Ghost Cry Street: Tears Finished Bell Sound'

Responsible for writing lyrics for Namida Jinrin Sound.

Divine Sin Descends: Uberich: Advent Sinners related productions

Ikuko Ebata participated in "Time-Space Ruins," credited as the chorus lyricist.

Chaos Head related crafting

Ikuko Ebata credited the lyricist for 'Chaos Head'.

Productions related to the Sacred Tree Hall

Ikuko Ebata signed the lyrics for 'The House of the Sacred Tree.'

Related production of Muv-Luv Alternative

Ikuko Ebata credited the lyrics for the album version of "Muv-Luv Alternative Original Soundtrack VOL.2."

The specific song division of the two scientific ADV vocal collections

Ikuko Ebata appeared in 'CHAOS;' Responsible for the lyrics of "A Will" in the HEAD VOCAL COLLECTION" (FVCG-1172).

Lead lyrics and production coordination

During the production of "Refrain Chord," Ikuko Ebata first drafted temporary lyrics, then Katsuo Kawazumi restructured them. She oversaw and produced the production, and was responsible for the Latin supervision of "Phosphoreme."

Discuss the wording with the lyricist

Ebata and Kawazumi discussed the lyrics that could be used in the song, and besides vowel coordination, they also checked whether the expression fit the game world. Their collaboration included rewriting temporary lyrics and final wording.

Muv-Luv's Lyric Negotiation

Yoshimune recalled that when collaborating with Ebata on "Muv-Luv," he first explained the complete story, then repeatedly abstracted the plot into concise language through repeated meetings, leaving room for interpretation to change as players experienced.

Inspection of multilingual manuscripts

When Yuko Ebata talked about multilingual lyrics, she first focused on composing the text, then asked someone familiar with the corresponding language to review it. When writing classical Chinese, she would hand the finished manuscript to Chinese friends she knew to confirm whether the expression was appropriate.

Related entries

References

Data compiled on: 2026-10-12.

本版编辑:免费机器翻译 · 2026-10-23

内容许可:CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订