Yanaginagi participated in "Lilua and Natsuka's Pure Lies," signing the title of vocalist and lyricist for "Ashita no Wata."
| Works Positions | Lilua and Xiaxia's Pure Lies / Singing and lyrics for 'Ashita no Wata' |
|---|---|
| Rewrite + positions | Lyricist for the album version of "Rewrite Arrangement Album Branch." |
| Rewrite + positions | Performed on the album version of 'Rewrite Arrangement Album Branch' |
Participated in works
"Lilua and Xiaxia's Pure Lie": Vocals and lyrics for "Ashita no Tata" (Ashita no Tata).
Rewrite + related production
Yanaginagi was credited as the lyricist for the "Rewrite Arrangement Album Branch" release. Yanaginagi is credited as the vocalist on the "Rewrite Arrangement Album Branch" edition.
Guest vocal and solo debut
Yanaginagi began her music career in 2006, and in 2009 was invited by Supercell to perform as a guest vocalist under the name Nagi. Starting a collaborative project with Jun Maeda in 2011, he made his solo commercial debut on February 29, 2012 with the song "Bidoro Pattern"; This song was used at the end of the anime "Waiting in Midsummer."
Record and music production
In 2013, they released their first album, 'Eual'. In addition to singing, writing lyrics, and composing, she also handled music production for the animation "Just Because!", participating in the opening, ending, and backdrop.
Tenth anniversary project
During her tenth anniversary of her solo commercial debut in 2022, she launched ten projects, holding monthly anniversary performances from March to December, and releasing digital songs the following month; That same year, they also released the compilation album "Roundabout" and the album "Branch."
The meaning of NORN9's lyrics and recording
When writing lyrics for NORN9's "melee," Yanaginagi first reads the plot summary, then mixes classical and foreign words based on the formal stage to create a trendy Western vibe. She also uses the small diamond mentioned in the title as a metaphor for the character, describing the changes as the stones gather.
When recording "melee," facing the rather melancholic A section, she didn't suppress her emotions to the lowest but instead emphasized a sense of sorrow, letting that feeling be released in the chorus.
Foe's opening and repeated recordings
When writing lyrics for "foe" from "ノルン+ノネット ラスト イラ", she imagined the characters in the work, organizing the lyrics as if continuing a new story in her mind, hoping to see a different side of her with each listen. The song begins with vocals, and to immediately capture listeners' attention, she recorded the opening call multiple times, ultimately leaving a version she was satisfied with.
From electronic organs to DTM
Around kindergarten, she freely played the electronic organ and hummed melodies, and only began writing them into songs after getting DTM software. At the time, I didn't understand chords, so I used the mouse to input notes one by one, making the originally vague humming more concrete.
Practice through dictation and rewriting
She once practiced songwriting by releasing dictation covers on 'Players Kingdom'; After discovering that vocal works were played more, he shifted to producing songs with vocals.
Lyrics and melody synchronize with tonal loops
She usually sang while playing the keyboard, advancing the melody and lyrics almost in sync, and would hum any melody she thought of into her voice memo. She also experiments with synthesizer tones, finds interesting sounds, plays and loops, and then develops them into pieces.
Selection and switching in music composition
When discussing the composition of the score, she emphasized that the melody should not be overly emphasized and disrupt the visuals. When ideas hit a block, she would first write a new vocal song, trying to open up her ideas from another project.
Related entries
- Participated Works:Lilua and Xiaxia's pure lies
- Music Participated In:Ashita no Tale (Lilua and Natsuxia's Pure Lie)
- Participated Works:Rewrite+
- Featured Tracks:Little Forest（Branch）
- Featured Tracks:Reply（Branch）
- Co-creators of the 2011 collaborative project:Mazhi Zhun
References
- Frontwing: characters and songs
- Key Sounds Label：Rewrite Arrangement Album Branch
- Yanaginagi: Official Creation and Personal Debut History
- Animate Times: A song originally written by NORN9 by Yanagi Nagi Dan
- Animate Times: Recorded by Yanagi Nagi Danfoe
- Livedoor: Yanagi Nagi Online Learning and Composition Writing Methods Interview
Data compiled on: 2026-10-16.