Satoshi Hosoi

Satoshi Hosoi was responsible for the music on "Rewrite Harvest festa!".

Participated in works

Rewrite Harvest festa!: Music.

Participation in the work

Satoshi Hosoi participated in "Rewrite+" as the composer.

Satoshi Hosoi participated in "LOOPERS," composing the soundtrack.

All of the World: A performance of how to erase the world

After working in sound work at Video System, Satoshi Hosoi went independent. In 1998, he formed Energy field with kala, but the group ended activities in 2002. Afterwards, he continued his music career with Hosplug.

All About the World: Performance

In 'Sekai no Zente,' Satoshi Hosoi performed the vocals.

Rewrite + related production

Satoshi Hosoi credited the original Rewrite OST as the composer in the digital release record.

Satoshi Hosoi credited the original Rewrite OST as the composer in the digital release record. Satoshi Hosoi credited the Selene digital reprint version as the composer.

Satoshi Hosoi credited the original Rewrite OST as the composer in the digital release record. Satoshi Hosoi credited the Selene digital reprint version as the composer. Satoshi Hosoi is clearly credited as composer in the version of "Rewrite 10th memorial Arrange Album Forestia."

LOOPERS related productions

Satoshi Hosoi signed the song for the LOOPERS original soundtrack 'Toteki no Otsumanai' (Special Spell). Satoshi Hosoi signed the recording program for LOOPERS original soundtrack "Totteoki no Omanai." Satoshi Hosoi credited the song for LOOPERS' original soundtrack 'Asazami'. Satoshi Hosoi credited the LOOPERS original soundtrack 'Asazami' as the audio programmer. Satoshi Hosoi credited the LOOPERS soundtrack for 'Sweet Time' as the composer. Satoshi Hosoi credited the LOOPERS soundtrack for "Sweet Time" as a programmer. Satoshi Hosoi credited the LOOPERS original soundtrack "Deep Psychology" as the composer. Satoshi Hosoi credited the LOOPERS original soundtrack "Deep Psychology" as a sound programmer. Satoshi Hosoi credited the composer for LOOPERS' original soundtrack "Unstoppable Beating." Satoshi Hosoi signed the recording for LOOPERS' original soundtrack "Unstoppable Beating." Satoshi Hosoi credited the composer for LOOPERS' original soundtrack "Urban Legend." Satoshi Hosoi was credited as the sound programmer for LOOPERS' original soundtrack 'Urban Legends.' Satoshi Hosoi credited the LOOPERS soundtrack for 'Deep Black' as the composer. Satoshi Hosoi credited the LOOPERS soundtrack for 'Deep Black' as a source programmer. Satoshi Hosoi credited the LOOPERS original soundtrack for 'Night Crows' as the composer. Satoshi Hosoi credited the original soundtrack of LOOPERS' "Night Raven" as a source programmer. Satoshi Hosoi credited the composer for LOOPERS' original soundtrack "Phosphorus." Satoshi Hosoi credited the LOOPERS original soundtrack "Phosphorescence" as the audio programmer. Satoshi Hosoi credited the LOOPERS soundtrack for 'One Thousand and One Night VORTEX (Dreamy Arrange)' as a sound programming artist. Satoshi Hosoi signed the name for the audio programming on LOOPERS' original soundtrack "Toki no Yume."

Rewrite Harvest festa! related production

Satoshi Hosoi in "Feast" Rewrite Harvest festa! The original soundtrack version is clearly credited as the composer.

From Key arrangement collaborations to the soundtrack for "Rewrite."

When Hosoi looked back on his collaboration with Key, he regarded "Ana -Beyond the Galaxy Mix-" as a key turning point. He believes this remix offers opportunities to participate in Key activities, as well as the soundtrack production for "KEYNOTE" and "Rewrite."

The sound direction of the original soundtrack

When composing the soundtrack for "Rewrite," Hosoi used the imagery from the Key sound team, reducing his usual techno elements. Encouraged by other composers, he also tried easy-to-understand and memorable melodies, viewing this collaboration as a new experience.

2015 Efflorescence AIR adaptation

Included with the Key 15th Fes event booklet is the second disc 'efflorescence' with track 4 'Unused Song 6', arranged by Satoshi Hosoi (hosplug) and composed by Magome Togoshi.

The starting point of the collaboration with Whispering Songs

When YURIA handed over the music materials to Satoshi Hosoi, Hosoi especially liked the whisper-like vocals, which led to the YURIA-pluged-HOSOI pop music collaboration. She describes it as a creative activity that relies less on pairing works and is driven by personal interests.

The composition basis for the Katawu narrative album

In the 2018 collaboration on 'Hiju Tei wa Manka no Yorohiraku Hiraku,' Hosoi first received a concept and story summary from Katakiri, and composed the music based on that; Katawu then wrote novels.

Organization and rework of the 2018 remix project

Hosoi initiated a remix project for 'Drastic Girl', and the day after the discussion, they set up a Facebook group to collaborate. Looking back at the interview, the invited participants completed their own versions, and the earliest submitter listened to other versions and revised about four more times, adding guitar notes.

Selection of music sources for PlayStation projects

Hosoi recalled that he once chose between the optional CD-DA and the PlayStation project with built-in sound sources, hoping the sound would be controlled by the program according to the game context.

Instrumental live arrangements in 2020

2020: 'I Love Games and Techno!' During the performance, Hosoi was inspired by a shooting game-themed event, inviting guitar and violin as instrumental pillars. He rearranged the original game music design, letting the violin take on the main theme and harmonize with the guitar.

The drum entrance in the original Kyoto stage song of "Sonic Wings" does not have quantitative alignment, but is fine-tuned by him; The 2020 band version omits the drum entrance score notation. He also reflected on the varied swing ratios of each track to express the ups and downs of the sequence.

The live sheet music uses a full measure rest to mark the unplayed sections, leaving blank spaces for the performers to handle. Although the arpeggios at the start of the American stage made him worry it would be too difficult, the guitarist still completed it according to the notation.

Violin recording and early orchestration

While producing "Silky Noise," Hosoi arranged a violin solo during the live composition, and MariNa recalled that the recording was completed in just one session. Hosoi also said that Local Order underwent about twenty recording attempts; "Silky Noise" is written within the range of his own ability to play, with fewer chords.

Kisekilay places vocals and violin in equal balance; at the end of "Glow," the violin takes on the melody, while the vocals shift to the back. Hosoi also recalled that early games only had five notes available, often omitting chord roots to avoid repetition with bass.

The story of Mao Mao becoming an idol and releasing a CD was written about 'Tsuki no Sakana' and 'Sonic Musume'. At that time, Hosoi pursued clear and easy-to-understand pieces, with arrangers also involved.

"Seminary" Soundtrack Sequence and Bancho Project

In a 2011 acoustic message to PIL/SLASH, Hosoi explained that he repeatedly refined the track order for the two albums "Seminary -Noli me tangere-," hoping listeners would re-experience the world of the game.

The April Fools' project for 'Theological Bancho' initially only asked Hosoi for arrangements themed around Banchou. The production team recalled that the documents submitted contained two copies: one titled kara.wav, and the other containing Hosoi's own passionate singing, which surprised the producers.

Related entries

• Participated Works:Rewrite Harvest festa!
• Participated Works:Rewrite+
• Participated Works:LOOPERS
• Participated Works:All of the world
• Song Program:How to erase the world (Sekai no Zente Original Soundtrack (hosplug reissue))
• Affiliated Group:Energy field
• Featured Tracks:ニリンソウ（Rewrite+）
• Featured Tracks:Permafrost (Rewrite+)
• Featured Tracks:Cotton Hat (Rewrite+)
• Featured Tracks:Phobic（Rewrite+）
• Featured Tracks:Phobia（Rewrite+）
• Featured Tracks:Black Star Disease (Rewrite+)
• Featured Tracks:Wither (Rewrite+)
• Featured Tracks:Toxoplasma（Rewrite+）
• Featured Tracks:Earth (Rewrite+)
• Featured Tracks:Radiance（Rewrite+）
• Featured Tracks:Quaesitor (Shouya Namai Remix)（Selene）
• Featured Tracks:Redemptor (Digital Universum ver)（Selene）
• Featured Tracks:Phobia (LU-I Remix)（Selene）
• Recording Participants:とっておきのおまじない（LOOPERS）
• Recording Participants:Asarizumi (LOOPERS)
• Recording Participants:Sweet Time（LOOPERS）
• Recording Participants:Deep Psychology (LOOPERS)
• Recording Participants:Unstoppable Heartbeat (LOOPERS)
• Recording Participants:Urban Legends (LOOPERS)
• Recording Participants:Deep Black（LOOPERS）
• Recording Participants:LOOPERS
• Recording Participants:Loopers
• Recording Participants:One Thousand Nights VORTEX -Dreamy Arrange- (LOOPERS)
• Recording Participants:Dreams of Time (LOOPERS)
• Featured Tracks:Quaesitor（Feast）
• Featured Tracks:Redemptor（Feast）
• Featured Tracks:White stars（Forestia）
• I adjusted the soundtrack style based on the image of the Key sound team:Rewrite+
• The sound team that provided the imagery requirements for their own Rewrite soundtrack:Key Sound Team
• AIR old tracks arranged by me for efflorescence (2015 adaptation):Unused Track 6 (AIR)
• After listening to the demo, a pop music collaboration began:YURIA
• Composed the music for her 2018 narrative album based on the concept:A wisp of mist and blazing fire
• The song became the starting point for the lyrics of Kisekilay:The Central Plains are cool

References

• PROTOTYPE: Rewrite Harvest festa! specifications
• PROTOTYPE: Rewrite specifications
• Key：LOOPERS
• hosplug: The Original Soundtrack of 'The World' is reissued
• hosplug: Satoshi Hosoi's resume
• VISUAL ARTS / Key: Rewrite OST digital production chart
• VISUAL ARTS/Key: Selene digital track-by-track lyrics, composition, and mixing field
• VISUAL ARTS / Key: LOOPERS 26-track production chart
• Key Sounds Label: Feast first press bonus includes 14 tracks
• VISUAL ARTS / Key: Feast digital track-by-track lyrics and composition
• Key Sounds Label: Forestia's 10th Anniversary Album
• Visual Arts Winter Fes 2021: Forestia song-by-track lyrics and vocal arrangement
• VISUAL ARTS / Key: Forestia digital songwriting chart
• VGMO: Satoshi Hosoi Interview on Experimental Scores and Albums
• Key 15th Fes: Includes the active booklet with efflorescence tracklist
• YURIA talks about her second album (Part 2)
• Hosplug: Dialogue with Lekkau Yusuzuka Part Three
• Hosplug: The Dialogue with Rekkau Yusuzuka Part One
• hosplug: The first conversation between Nobuo Uematsu and Soshi Hosoi
• Hosplug: The first part of the dialogue between games and techno
• Hosplug: The second part of the dialogue between games and techno
• PIL/SLASH: 2011 Music Production Log and Hosoi's Message

Data compiled on: 2026-10-07.