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Yu You Qi arrived

He participated with You Qizhi in the music of "The Day of God's Wrath: Madness for Love."

Additional information
The Day of God's Fury: Madness for Love: Signature postMusic
Day of Wrath ~Night Visit to the Piercer~: Signature postSide Story Music
Day of Wrath ~Night Visit to the Piercer~: Signature postDer Vampir: composition and arrangement
Divine Curse Kamui Kagura Light of Dawn 2013 PC Version: PositionMusic
Divine Curse Kamui Kagura: PositionComposer

Production of "The Day of Fury: Madness for Love."

Yo You Keishi credited the work as the music for this work.

Production of "The Day of God's Wrath ~Night Visit to the Piercer~."

Yo Keishi credited this work as a side story music track.

On this work, he credited Der Vampir as the composer and arranger.

Creation of the 2013 PC version of Kamui Kagura and Dawn

The music credits for 'Kamui Kagura: Light of Dawn 2013 PC Version' is by Yoyo Keiji.

Creating the divine spell Kamui Kagura

The composer of 'Divine Curse Kamui Kagura' is credited to Yoyo Qishi.

Commissioning and soundtrack for 'Strania'

Looking back at Yu Yu in 2011, after watching his public DS-10 promotional video, Hiroyuki Maruyama contacted him and asked him to reference early sounds like "Neural Gear" as references, while also incorporating new ideas accumulated later.

He handled both sides of the soundtrack for 'Strania': usually, the BGM retains the early production methods and tones according to commissions, while the Bauer side of additional content tries out the sounds he wanted at the time.

Musical conception and timbre

By blending Bach, fusion, house, and techno with Ju Studies, he gradually filters out compatible elements and simplifies the stylistic rules that limit expression, allowing them to serve his existing musical concepts.

He prioritized note design in his early days; Due to limitations in FM, PSG, and other environments, the tone is only improved when the actual sound does not match the expected sound. By 2011, he had taken the initiative to refine his tone and regarded it as a source of creative motivation.

Earth, Wind & Fire made him value bass lines that could sing independently; FM game music made him value rhythm and bass expressiveness. He absorbed House and Techno techniques to reinforce repetitive phrases, supporting his intricate musical structure.

Records and scene soundtracks

After participating in several compilation tapes, he collaborated with Youying to produce "サイバーフォニック" at the invitation of the label, compiling research results that blended different musical styles into a CD.

He compresses the emotions of shooting games into a short time, while live music stretches the structure and focuses emotions on a specific point; Adventure game soundtracks rarely suddenly heighten tension, focusing instead on creating a lasting overall atmosphere.

Related entries

References

Data compiled on: 2026-10-07.

本版编辑:免费机器翻译 · 2026-10-15

内容许可:CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订