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Famishin

Famishin participated in the music work for "PARQUET."

Production responsibilities for "PARQUET."

The music credits him as Famishin.

The musical responsibilities in Yuzu Studio's works

Famishin was responsible for the music and sound for 'Sanova Witch.' The production schedule for 'Senren* Wanhua' lists the music, sound system, and director credits to him; The music and sound for "RIDDLE JOKER" were jointly credited by him, Angel Note, and Takeshi Arai.

The recording scene of "Astral Ability."

On October 26, 2017, the opening theme song "astral ability" for "RIDDLE JOKER" was recorded at Shibuya Studio HIPPO. Famishin and Ruhika Suzuki from Angel Note attended, while Miyuki Hashimoto and Sayaka Sasaki recorded their vocal parts one after another.

Songwriting and music box supervision

He composed the ending theme for 'Koi Hi Koi Fu En' for 'Senkoi*Manka' and five ending songs by Yoshino, Mako, Koharu, Roka, and Murasame, and also for 'Koiseyo Otome!' for 'Sanova Witch'. "" and "Without You," among others. The CD included with the music box was supervised by him, with songs for 'PERFECT GIRL' and 'Yubikiri' signed and composed by others. All three music box adaptations were arranged by Makoto Sasakura.

Flowchart explanation of Qianlian

Famishin explained that player surveys drove the introduction of the flowchart for "Senren*Manka," marking Yuzu's first time using this feature. The flowchart not only shows the routes taken, but also allows direct branching and settings to show unreached locations.

Cooperation options explained in 2016

Famishin, who liked KOTOKO's wordplay, invited her to write the lyrics for "Koihi Renfuen" and perform it. The same review shows that Oue's shamisen was included in the game's soundtrack besides the opening, with Satoshi Inohara responsible for more than half of the BGM production.

Chart for DAW input and playback

He inputs pitch, timing, and dynamics through DAW graphics; When you need to play real instruments, organize the data into easy-to-read charts, supplementing dynamic and playing notations. Looking back on his previous self-composed works, he cited "DRACU-RIOT!".

Production decisions for the 3D stage

When preparing for the SongFes 2026 LF stage, the team considered making all the band members 3D, but ultimately focused on presenting Enagi due to cost constraints. The base model began production in December 2024, when the game was still in development and stage costumes had to be designed in advance; After the model entered the actual action production, another batch of modifications appeared.

Song recording and MC preparation

LF Stage recorded songs in February 2026. Famishin first prepared audience responses and the need to energize the atmosphere, then worked with Sasa Misono, who played Enagi, and AngelNote to refine the lines and timing on site. The MC recorded in March was conceived by Ritsu Amamiya with topics and character interactions, allowing Enagi to naturally communicate even when standing alone on stage.

The whole track after the music is a moment of motion capture

After completing the audio for the LF stage, motion capture was recorded in May, with Famishin, Rodo, AngelNote staff, and the action and performers discussing details together. Famishin explained that this action recording basically cannot be partially overlaid midway like audio does and must be recorded as a whole song; The length of the medley thus became an extra burden for action actors.

Skewer structure and on-site arrangement

Famishin decided the order and structure of the LF stage medley, with the live team handling the transitions between tracks. "Koihi Koifuen" was also rearranged on the LF stage, with the band performing synchronized with the singing and visuals.

Lyrics in the film are checked

Rodo prepared track videos for SongFes 2026 on two screens, upper and lower, and proposed a plan to display the lyrics. Famishin then verified the lyrics in the video, making the text display part of the live video production.

A collaborator before the establishment of Yuzu Club

Famishin's interactions with Mami Nakayama ♡ and Riryka all began before Yuzusha was established. These collaborations continue into Yuzu Society's song production, and he mentioned two long-term collaborators in his 2026 performance review.

Negotiation of the OP live shooting plan

Rodo proposed filming during the recording of the opening theme of "Limelight Lemonade Jam," while Famishin suggested renting a separate studio band, and the plan was later implemented as a live studio shoot.

SongFes 2026 playlist selection

Famishin, considering the audience only attending one event, decided to include songs by invited performers, with most endings using game length. The three setlists were reorganized: Kobe leaned towards the classic style, Tachikawa focused on variety on the first day, and the final day balanced the classic and 2018 performances; Each session also features exclusive content. The 37 character songs were divided into three medleys, with the cover artist already performing on stage to avoid repeating the 2018 cover and to avoid overly concentrated songs from the same work; The three medleys were also rearranged between different venues.

Invitation to perform character song covers

Aoba Ringo mentioned in her 2018 MC that she appeared less often, so Famishin arranged for her to cover the character song for the 2026 performance.

Post-production of SongFes video release

On September 11, 2026, Famishin stated that the SongFes Blu-ray only planned to include the second day of Tachikawa, and planned the audio-visual recording accordingly. The film's re-editing, sound remixing, and confirmation are still ongoing, with a release date yet to be set, making it difficult to release within the year.

A step-by-track review of the vocal collection

Famishin wrote a review of each track of the 2018 "YUZUSOFT VOCAL COLLECTION 2006-2016," recalling the production of each track from that year.

Related entries

References

Data compiled on: 2026-10-07.

本版编辑：免费机器翻译 · 2026-10-17

内容许可：CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订