PULLTOP is credited as the development brand in "Clear Sea, Clear Sky, Connected Shore."
| Posts connected by clear sea and sky, across the coast | Develop the brand |
|---|---|
| The travelers of that day, interacting with future posts | Develop the brand |
Productions related to 'Clear Sea and Sky' and 'The Other Shore Connects'
PULLTOP is credited as the development brand in "Clear Sea, Clear Sky, Connected Shore."
A work related to the future where travelers of that day interact
PULLTOP is the development brand under the name 'Travelers of That Day, Touching the Future.'
A contrast of styles on two production lines in 2006
In her PULLTOP anniversary review, Yutaka Asazuma explained that starting with 2006's "PRINCESS WALTZ" and "Haruka ni Yanggi, Reishino," the team consciously set two production lines in contrast: the former was glamorous and stylish, while the latter was calm and slightly bitter.
Script and visual treatment reminiscent of 'Polar Bear Bell Stars ♪.'
J. Sairo reflected on "Shirokuma Bell Stars ♪," explaining that he intentionally faced the characters' self-search positively, tracking the psychological process of how one should align with or separate from hope. Yutaka Asazuma recalled that the visual lead Takahiro Yashima placed an Easter egg for PULLTOP's mascot Mochitan on bananas scattered in the opening CG.
Related entries
- Participated Works:The blue sea and clear sky stretch across the shore
- Participated Works:The travelers of that day, the future where we connect
- According to Chaozuma's recollection, the image manager who added the opening CG Easter egg:Takahiro Yashima
- Quiet projects in the 2006 production line style comparison:Looking afar at the phoenix's radiance
- "Shirokuma" chooses to directly address the self-searching screenwriter:J・さいろー
References
- PULLTOP: Bihai Qingkong official website
- PULLTOP: The travelers of that day, the future of interaction
- PULLTOP 10th Anniversary!
- PULLTOP: Shirokuma Gen PC production signature
Data compiled on: 2026-10-07.