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-atled- Part 1

"-atled- Part 1" is the opening feature of the commemorative project for "パソコン パラダイス" magazine, which was included with the magazine in 2008. The project was later serialized in three parts, with a combined version released in 2009; Its songs and subsequent record releases also formed an independent musical lineage.

Work information
Title of the work-atled- Part 1
The publication date listed in the materials2008-10-30
GenreADV (for consumers)
Development-atled- Production Committee
ScriptMotornatsu, Masaki Nanami, Shohoku, Arata Kihara
Key animationYumehito Ueda
MusicByakuya, Mimikichi, Team-OZ

Magazine serialization

The Old Works Community Records corresponds three parts to issues 199 to 201 of 'パソ콘パンダイス,' which corresponds to the issues from December 2008 to February 2009. The first catalog was dated October 30, 2008; The issue number, month, and actual sales date should be read separately.

Joint issuance

After the three parts ended, the release records for the 2009 summer doujin convention appeared in a combined version. The magazine includes the first part, three complete projects, and later remakes, each with different media coverage. The entry is retained as the first part of 2008.

Creating the signature

The production team recorded in the catalog is the -atled- Production Committee, with original artwork by Yumeto Ueda. The scriptwriters include Yuan Ba, Nanami Masaki, Sho Huo, and Arata Itsuhara; The music lineup includes Byakuya, Mimikichi, and Team-OZ.

Planned music

The song materials list "timecross" as the opening theme and "good times bad times" as the ending credits, and includes Tomoe Tamiyasu's "Summer Grass" and TAKI's "atled." These relationships are first grouped into the music materials of the three projects. "Summer Grass" was later included in the 2013 Min'an ROCK remix album, and the record company retained its association with the magazine's 200th issue commemorative project.

A project with three submissions

Participant records from the 2009 SIG-Indie3 lecture stated that Shin Kihara introduced the 200th anniversary project for "Pasocom Paradaisu": the game was released as a supplement for three consecutive months, requiring submission each month, so it was split into three parts.

Dialogue performances

The recording also introduced writing styles that reduce narration, emphasize natural speech, and autoplay. The producers wanted the story to be presented in a serial series, with the script relying more on character dialogue to connect scenes.

A merged version of time travel

The 2009 three-part combined edition centers on a cross-generational parent-child encounter: a teenage daughter and a young mother communicating, and time travel weaving together youth, friendship, and family bonds. The contemporaneous record also mentioned an ending for the trio.

Merge version production record

2010 Yu Wen Shusei Chief Supervisor Arata Kihara, Script by Masaki Nanami and Nakaoboushi, Graphic Artist Yuho Hamada, Voice by Team-OZ. This record corresponds to the combined edition, which is retained separately from the first volume of the magazine and the 2012 reissue.

The original three parts planned the opening and character range

2008–2009: The original official website opens in a fictional 2025, where Aoba Ishinomaki sings on the streets, living in a child welfare facility, and her friend Machi Fukuda shares her daily life with singing. After the incident, she searches for a solution and comes across rumors of a book that can grant wishes. This opening serves as the overall introduction to the original three-part project.

Original project dubbing and remake distinction

The original specification page corresponds to Aoba Ishinomaki—Tomoe Tamiyasu, Machi Fukuda—Subaru Hanamoto, Koji Matsushima—Koichi Yokota, Eru Kazuma—Akari Harukawa, Misuzu Yamashita—Rikako Ishibashi, and the mysterious woman—Miyako Suzuda. This list covers the original three projects, and the 2012 commercial remake also features a voice cast.

Original planning and production and audio positions

The original official website listed Yumeto Ueda's original artwork, Yupo Hamada's background and graphics, with other artists including Cura, Shinono Himegami, Valyu, and COCO Tamaki. Voiced by Byakuya, Mimikichi, and Team-OZ. Team-OZ handled the recording and editing, with tO signing the script and programming, Natsuki signing the video, and Arata Kihara serving as the original creator and chief director. Team-OZ's Ede – In the 2008 diary, he also stated as the main music director, audio editor, and director;

OZ catalog and release preview

OZ's official profile lists TAKI and Takanori as members. The timecross album includes the song of the same name and good times bad times; Over The Daybreak's single catalog includes atled. In November 2008, an announcement also announced the December pre-sale of the single and the release of C75.

Original track, extra, and subsequent mixing

On May 29, 2013, SHOT-012 "Minan ★ROCK→ REMIX" included 15 tracks. The record company explicitly linked Natsugusa to songs from the original project and KnockRock Boy Furendu to Extra. The two related remixes are tracks 4 and 12, respectively; The artists and songwriters credited for this release correspond to the 2013 remix version.

Why is Aoba singing on the streets?

The first part of the community introduction sets the setting in Sengoku Town in 2025. Aoba, a first-year student at Senseki High School, has lost both parents and lives in a child care facility; She wanted to be someone others needed, so she began singing in front of the station.

Machi's ensemble dream

Machi hopes to perform on the street with her close friend Aoba, practicing piano diligently. Their musical dreams formed the daily goals before the event.

Content and reading order for each section

The pre-release notes for the first part in 2008 divided the collection into three parts: the content of the first part was not included in the second and third parts, and the content of the second part was not included in the third. The Q&A explanation after the first part is released in three parts can start independently, and it is recommended to start reading the story from the first part.

Divisional perspective

Before the release of the first film, the original author explained that the main perspectives and characters of each of the three films would change. This explanation does not list each character individually, so the total character list from the original three installments cannot be used to estimate each person's appearance.

The fictional Sengoku Town Station

After the first volume's Q&A was published, the station was clearly named Sengokucho Station. The author uses a fictional story to illustrate this location, not setting it as the real Yamagata Station as the reader's question.

Separate writing for the original three projects

In the December 2008 production notes, Arata Kihara explained the script division based on character scenes: Gennuke mainly handled scenes with Koji and Aoba, Nanami handled scenes related to the mysterious woman, Arata Kihara wrote scenes like Aoba and Shinichi, and Shoho added scenes not yet handled by other members. This explanation applies to the original three-part project.

Insert songs from the first and subsequent parts

In his December 2008 music retrospective, Arata Kihara clearly stated that Merami provided insert songs for the first and third parts, and Minan☆ROCK also provided insert songs for the first part. OZ's "atled" is used for the climax of the third film.

Scope of changes in the 2009 merger plan

In the May 2009 merger and release announcement, Arata Kihara explained plans to merge the original three parts into a single work, only adjusting the connections between parts without major content changes.

Formation of all-age planning

Arata Kihara initially planned to create this work after TheSOTS's production of "Sometimes, Looking Up at the Clear Sky...". As ATLED's plot concept gradually took shape, he changed the original adult-oriented plan to an all-ages work.

The starting point for plot rewriting

The earliest street singing theme was prepared to find performers. After the music company got involved, Arata Shuyuan withdrew from collaborating with candidate singers; Later, after hearing OZ's "timecross," he revised the plot concept, creating the ATLED story that was later adopted.

The first part of the Yamashita-sensei

Arata Kihara's 2008 retrospective explicitly mentions the first part of the conversation with Mr. Yamashita, using this conversation as a hint for the aforementioned music company.

A production committee established solely for the first game

After receiving the opportunity to create the 200th anniversary game for 'パソコンパンパラダイス', Arata Kihara invited trusted creators he had met, worked with, and contacted to join in. The editor and members met in Ueno and established an ATLED production committee dedicated solely to this work; At that time, there was only a little over a month left before the first manuscript was delivered.

Jointly refine the outline

The original three projects were first written by Shu Yuanxin to write the story flow, then jointly supplemented by several scriptwriters. Through this step, each member can grasp the overall flow of the story before writing in the session.

Text window line limits

The original script text did not use the third line and was broken into lines every 25 characters. Multiple authors jointly follow this set of restrictions, adapting dialogue and narrative to the text window below.

Narration of static and dynamic scenes

The original project featured more narration in fixed-screen scenes, while dynamic scenes used continuous dialogue and voice acting to keep the viewer on the image. Arata Shuyuan links this arrangement to reducing the burden of repeatedly switching between the text window and the image.

Voice casting and dialogue writing

Arata Shuyuan usually first decided on the voice actor, then wrote based on the premise that the corresponding actor would read aloud. The original ATLED generally followed this sequence. During casting, he repeatedly listened to voice samples to ensure that the actor's easily expressed voice matched the character.

Preview of the 2008 R18 material pack

On November 13, 2008, Arata Kihara teased the ATLED additional material pack for "Art 18." The trailer states it provides backgrounds, character illustrations, and event illustrations for the first and second films. Users can write scripts and select images to create short ADVs; It was originally scheduled for release on November 28.

Adjustments to the demo before the release of the first part

On October 7, 2008, Arata Shuyuan explained that the demo version released at that time had been shortened, and the initially longer version contained content beyond what was expected. He also pointed out that a line from Aoba in the demo needed to be revised, and announced that the demo would be replaced after the first film was released.

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Source author: Bangumi article contributor and community maintainer; License: CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0/); Adaptation: This site filters and reorganizes structured facts, without copying the article summary.

Data compiled on: 2026-10-07.

本版编辑：免费机器翻译 · 2026-10-11

内容许可：CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

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