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Tsubasu Izumi

Tsubasu Izumi participated in the original artwork; related works include 9-nine- New Chapter and as:9-nine- ARTEISIA.

Additional information
Positions have been verifiedKey animation

Materials

Character design for Yuki Katagiri in 'The Street of Red'.

Related works

Character design for Mizuki Shiina in 'The Road to Dyed Red'.

Character design for Mikoto Tachibana in 'The Street of Red'.

Credited for production and performance

9-nine- New Chapter: Key Animation.

as:9-nine- ARTEISIA: Key animation.

Division of labor in the work

The production list for "Pure White Symphony SANA EDITION" lists Tsubasu Izumi as the key animator.

Participation in the work

Tsubasu Izumi participated in 'Summer Pockets REFLECTION BLUE', handling character design and key animation.

The expression direction of the 'Sorairo' style

Tsubasu Izumi discussed Shinkaiten in the official column of '9-nine-Sorairo Sora's Uta Sora no Oto': Her eyes aren't upward-turned, but she can express many lively expressions, and she especially likes to look proud. She also regards voice and acting as essential components of a character's charm.

Reader exchange at the signing event

In the same column, Izumi recalled feeling very nervous attending the signing event and also talked about the experience of being cared for by shop staff in Hokkaido. She cherishes opportunities to interact face-to-face with readers, viewing these activities as interactions beyond her usual solo painting.

Character design and event art for PC originals

When producing the 2009 PC-based "Mashiroiro Symphony," Tsubasu Izumi explained in a November 2008 log that the overall character design was already complete. Izumi is still researching how to make Pannya rounder to keep the character's shape smooth.

In March 2009, while drawing the event art for the PC original of 'Mashiroiro Symphony,' Tsubasu Izumi noticed that although the uniform looked simple on the outside, it actually had many lines; The abundant ruffles on the maid dress also increase the difficulty of drawing. In his diary, Izumi explained that he was gradually mastering the rhythm of these key animation assignments.

Related entries

References

Data compiled on: 2026-10-10.

本版编辑:免费机器翻译 · 2026-10-23

内容许可:CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订