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Suara

Singer of many game and anime songs from the Legend of Legends series.

Additional information
White photo album: A post woven with winter memoriesPerformed on the album version of "WHITE ALBUM -Memories of Winter"- ORIGINAL SOUNDTRACK (KICA-1483/4).
White photo album: A post woven with winter memoriesPure acoustic cover and vocals

Related creations

Game songs such as 'Nuedori', 'Koiyume', 'Hoshiki no Sekai', and 'Beautiful World' were included in the 2016 collection. The songbook also contains anime songs, and not all tracks can be uniformly labeled as the game's opening theme.

White Photo Album: Weaving winter memories related to production

Suara was credited as the vocalist on the album version of "WHITE ALBUM -Zutsureru Fuyu no Omoide- ORIGINAL SOUNDTRACK (KICA-1483/4)."

Suara was credited as the vocalist on the album version of "WHITE ALBUM -Zutsureru Fuyu no Omoide- ORIGINAL SOUNDTRACK (KICA-1483/4)." Suara performed "POWDER SNOW" in the 2007 Pure album, which was later included as a remastered soundtrack under the Pure Version title for the "WHITE ALBUM."

Debuted with the song 'Study and Game'

Suara majored in Indonesian at Osaka University of Foreign Studies and performed in bands and ensembles during her student years. In September 2005, she debuted with the game songs "Water Lily - Amaneku Flower -" and "Zodiac"; Her stage name Suara comes from the Indonesian word for "voice."

Early stage and overseas activities

In 2007, she participated in Animelo Summer Live. Since 2010, she has performed in Hong Kong, South Korea, Singapore, and other locations. In 2011, 'Karin' was released in South Korea, and in 2016, 'Sound' was released in Taiwan. Her activities include game songs, anime theme songs, and solo concerts.

2018 Star Lantern: Co-writing and New Songs

When producing the 2018 album "Star Lantern," Suara first completed the melody for "Pride," then asked Rena Uehara to express their feelings through the lyrics.

She chose "Star Lamp" as the title of her 2018 album, hoping the record would illuminate listeners' lives and guide her own musical path.

The 2018 album already includes six heavily arranged legendary songs, some of which were first included in the 2016 collection. Suara therefore placed greater emphasis on the significance of the new song, hoping her solo album would bring fresh content.

Recording with Kinugasa and subsequent performances

Suara recalled that "Tokino Taika" and "Senba Genmu" were the last two songs Michio Kinugasa attended to jointly record during his lifetime.

Kinugas was already gone during the recording of 'Aioshiki Kkan'. When Suara encountered questions about her singing style, she imagined what advice he might suggest and shifted her focus back to the singing to avoid overwhelming the song.

The meaning of the team in the stage name

Besides the Indonesian word for "sound," she also gave Suara a collective meaning: composer, lyricist, staff, and listeners are also included.

Performed and wrote the theme song for the 2022 animation

When pre-recording "Hito Nanda," she initially sang each lyric very heavily. Shimokawa suggested connecting notes according to melody length to help her break free from a tense singing style.

She wrote lyrics for the 2022 anime ending "Zinnis" under the name Akiko Tatsumi, linking Haku's situation of inheriting a friend's will to the feelings of those left behind when facing parting.

When singing "Zinnia Grass," she referenced Eri Kawai's gentle phrasing style in the chorus of "Madoromi no Samara" to pay tribute to the ending theme of the original animation.

Pure2: Jazz singing preparation

While preparing for "Pure2," Suara first consulted Shimokawa and the director, then listened to different jazz tracks brought by Hashimoto. During recording, she compared Hashimoto's guidance to the collaboration between director and actor, striving to achieve his desired expression.

Pure2: The choice of singing each song

Suara said that the difficulty lies in putting the original's fragility, passion, and the meaning of the ending song into jazz expression, while preserving the familiar image of the song. She first deals with balancing these two demands.

While recording "Pure 2's 'Nocturne of the Stars," Suara and the musicians took off their monitoring headphones. She sings with a live conveying feeling, prioritizing the rhythm of other musicians, and at the end, she tries her first improvised decorative singing technique.

Pure2's "Tomoshibi" allows Suara to freely play guitar in the opening verse. The original plan was for the chorus to gradually get into rhythm, but during recording, the musician continued to play along with her narrative sensibilities, and Hashimoto did not stop it; The preserved recordings thus carried this singing style into the chorus.

"To the Traveler" from "Pure2" features piano and double bass combined vocals. Under her guidance, Suara repeatedly sought expression, eventually understanding it as a fairy-tale-like narrative, focusing on natural language delivery.

Pure2: Demonstrate vocal and pronunciation preparation

Suara prepared "Yume de u Yoro" for "Pure2" based on Hashimoto's demonstration vocals. During recording, Hashimoto sang beside him and carefully suggested the rhythm; She treated the opening paragraph as if it were a whisper, expressing her sense of maturity and sorrow in her understanding.

"Pure2" chose to cover "Tears to Tiara - Triumph -" in English, balancing AQUAPLUS tracks with jazz expression. Before the official recording, Suara repeatedly reads English aloud, first familiarizing herself with pronunciation, phrases, and flow styles, then making them suitable for singing.

The concise arrangement and on-site recording of "First Sky."

When Suara wrote "Hatsuzora," she aimed for a triple meter lullaby. She finished the lyrics and music late, had limited arrangement time, and wanted to keep her voice simple, so she recorded with piano, guitar, and violin players she usually collaborated with live; Danyu Yamane supplemented the chords in her mind, and this time she quickly recorded a take.

Recording and singing of animated songs and developing lyrics

Recalling the recording of the anime's theme song "Unstable God," Suara said that speeding up the tempo actually made it easier to sing. This song was rarely re-recorded in this "Legendary Thing" song. Even in the fast-paced A section, she tries to preserve a sense of seriousness and sorrow, expressing the inner feelings of living with the past.

When writing lyrics for the anime's ending theme "Yumekautsutsuka," Suara received the keywords Rinne and Spiral; She contemplates the connection between past, present, and future based on this, and references her impressions from her favorite previous work's ending theme, "Madoromi no Samsara."

Public recordings from the Seekers Guild

The Qiudao Guild Hall recording was not amplified. Facing an acoustic piano and violin, Suara cannot monitor her voice like she usually does with headphones; she can only rely on the sounds she hears inside her head; After singing one song and replaying it to confirm, she felt the approach matched her imagination, which gave her more confidence to continue recording.

This recording completed six songs, and including re-recordings, was performed ten times. She felt that the lack of monitoring and relaying was causing her to waste more energy than usual, and with prior rehearsals, she realized even more the importance of stamina for singing.

After asking about Suara's vocal condition on site, Arimura decided to have her sing "Tomoshibi" with the audience. When both sides looked back, they connected this ending to the usual atmosphere at the end of a concert.

2015 DSD newly recorded take-take

After the Qiu Dao Guild Hall project, Arimura selected musicians, studios, and engineers for new recordings with different conditions, participating as directors.

When DSD recorded "Kimigatame" in 2015, Suara was exhausted from repeated singing and wanted to finish it quickly. I actually recorded three times, using the third take.

2006 'Dream Road' recorded each song

Suara recalled her 2006 song "Dream Road" by combining powerful vocals with motherly tenderness for "Kimi Dake no Tabi Road"; "Forever" must express both sorrow and courage between two alternating choruses. She accepted the staff's suggestions and was only satisfied after multiple re-recordings.

When recording "Brand New Days," she prepared with live performance as the goal; "River of Time" requires first integrating the triplet rhythm into her body before moving into singing; she considers this coordination a difficult part of the recording.

In 2006's "Kimigatame" from "Dream Road," she progressed from a whisper-like opening to the chorus, adding vulnerable emotions in the final chorus.

Lyrics for 'Aoiro no Sora' and 'Your Smile'

The introduction to "Aoiro no Sora" reminded Suara of the lofty, open sky, which she wrote bright lyrics based on and used katakana as a title to preserve her personal emotional interpretation. "Your Smile" was her first time writing love lyrics, choosing soft lyrics to a warm melody.

In 2018, the production of "Star Lantern."

In the track-by-track notes for her 2018 album "Star Light," Suara mentioned the image guidance she received while performing the chorus of "Beautiful World": to express the feeling of gods manipulating people and elves dancing.

While producing the 2018 album "Hoshito" for "Hoshito," Suara incorporated her favorite floating vibe into the song after listening to the demo. Afterwards, she invited Mariko Handa to write lyrics for the heavy ballad "Shadow."

"If You Clear Your Ears" was originally produced as a new song for the album, and after receiving a commission to commemorate the 20th Headphone Festival as the theme song, the corresponding lyrics were added. She uses music from headphones to encourage people in daily life as her perspective.

When performing "Starry Sky Looking Up" from her 2018 album "Star Lantern," Suara uses a soft and gentle voice, hoping to evoke a sense of homesickness in listeners.

home's lyrics, composition, and guitar recording and vocals

When composing "home" for the 2008 album "Taiyo to Tsuki," Suara first wrote the lyrics and then added the melody while singing. She recorded singing in the studio with a guitar accompaniment.

Kizuna's Conceptual Approach and Selection of Recordings

While producing the 2009 song "Kizuna" for "Spring, Summer, Autumn, Winter," Suara and the music production lead listened to the demonstration melody while proposing four seasonal concepts, aiming to create a song suitable for the album. When singing, she uses a voice that lies between natural and falsetto, expressing gently and carefully.

"The Dream Seen by Angels" from "Kizuna" opens with an unaccompanied performance. This part was recorded multiple times, and finally, the first time was chosen for a natural, unadorned speaking style.

In 2011, he conceived and recorded the new song "Karin."

Suara first had the visual image of a flower on the grassland, which led to her 2011 solo album being titled "Hana Lin"; She regards the song "Like a Flower That Blooms with Grace" as the iconic representative of the entire album.

She hoped that "Karin" would include new songs she had composed herself, so she chose a Japanese-style style with concise lyrics and melodies for the first track. At first, recording felt heavy due to heavy emotional investment, so she later shifted her focus to expressing emotions that naturally reached the listener's ears.

After jazz recording for "Pure2," Suara requested a lively jazz style, which led to "Yokokoonmmu."

"Returning Home" came from her request to sing folk songs. The natural atmosphere of the initial recorded vocals was considered suitable for the song, so the first take was adopted.

When writing lyrics for "Bokura no Tabi," she combined her long-held dreams, hopes, and friendships with the connections between her fans and staff who supported her, past and in the future.

She recalled that "Kaito" was written by Mikai and is themed around the Japanese women's soccer team. The World Cup victory coincided with the album's production, with the song conceived around dreams and believing in one's own possibilities.

When producing "Utatane," she wanted a song that could be sung alongside the audience live.

Related entries

References

Data compiled on: 2026-10-10.

本版编辑：免费机器翻译 · 2026-10-23

内容许可：CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

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