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DECO*27

DECO*27 is a music producer for OTOIRO, creating VOCALOID songs and providing lyrics, composition, and production for singers, games, and cross-media projects.

Additional information
AffiliationOTOIRO
Main workLyrics writing, composition, music production
Submission starting pointOctober 2008

VOCALOID Creation

DECO*27 began their activities with online music using VOCALOID, with works including "Vampire," "Rabbit Hole," and "Monitoring." Its creations incorporate elements of rock, electronic music, and more.

Division of labor for different projects

Responsible for lyrics, composition, and production at MILGRAM, and overall production for hololive's holo*27 project; Ado's "Dancing" was credited with lyrics and sound production. Different collaborative projects have different responsibilities.

Water Misty Song

He was responsible for the lyrics and vocal production for both "Hookah, whoo!" and Amu's character song "Yannacchau feat. Liripi," with composition and arrangement handled by tepe.

Sapporo recording with KOTOKO

According to KOTOKO's recollection, DECO*27 recorded at Geimori Studio in the suburbs of Sapporo when participating in "Aerial Puzzle"; This round of album production combines Hokkaido's environment with collaborative exchanges.

Guitar and the Beginning of Original Writing

DECO*27 recalls that influenced by his guitar-playing father, he began learning piano in the second year of junior high; At first, he replayed various songs to memorize chords, and about a year later began writing original pieces.

Computer music study before submission

Around his second or third year of university, a high school friend introduced him to Niconico. He then purchased computer-based music writing equipment and continued learning music production for about half a year before his first submission.

Monitor targets and calibrate timing

In a studio case published by Genelec in 2023, he described the goal of monitoring as being to present the sounds in the brain as much as possible. When moving large objects or changing settings, he uses GLM for calibration.

A replay check centered on human voices

He regards the vocals as the main character of the song, paying special attention to the vocals during monitoring; When talking about the experience after calibration, he first mentioned that vocals are easier to hear.

Related entries

References

Data compiled on: 2026-10-16.

本版编辑:免费机器翻译 · 2026-10-24

内容许可:CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订