Nachi Kio participated in the project for 'Ao: The Quartet EXTRA1S/P'.
Participated in works
"The Quartet Beyond the Blue EXTRA1S/P": Planning. "The Quartet Beyond the Azure EXTRA2S/P": Planning. "Gray Fruit・Labyrinth・Paradise": Script.
Yumiko's reference and two-dimensional design
In the same column, Fujisaki mentioned that Kio had provided actress image references for Yumiko, and the initial design was very faithful to those references; Afterwards, the character was repeatedly adjusted to enhance the appeal of the two-dimensional model.
Progress and communication of fan projects
In a 2021 retrospective, Nachi Kio said that before making early doujin games, he first investigated the reasons behind other teams' failures, then took on responsibility, progress management, and funding. Set a deadline before starting work and agree that any content not completed by the deadline will be deleted; As long as the deadline is delivered, the creator's feedback is respected. During management, he tries to help members understand and decide through explanations and prior coordination, and after reviewing to a certain extent, leaves the details to the creators.
Substitute submissions and game performances
While designing for a company, Mu Xu encountered the original screenwriter not submitting a manuscript, so he wrote a script at the last minute, which was completed in about three days, and then he was invited to write the full version. While working on Neko Neko Soft, he not only wrote the dialogue and narration, but also specified the timing of dark transitions and background music, cooperating with the team to ensure the screenwriter also handled the direction.
"Our Remake" anime-style composition
When he was in charge of the series composition for the 2021 TV anime 'Boku Tachi no Remake,' Kio first decided the beginning and end of the story, then wrote a roughly A4-page outline of the content each episode should express. He also served as the main scriptwriter, with another screenwriter assisting with the specific writing.
Perspectives on the creator's subject
When creating the original work "Boku Tachi no Remake," Kio deliberately avoided having the creator narrate in the first person, instead letting surrounding people observe their unusual thoughts and actions, and then present these characteristics through the feelings of an observer. He also wanted to write about how those responsible for production advancement think about and organize their work.
Related entries
- Participating Works: Planning:The Quartet of the Azure Beyond the Blue EXTRA1S/P
- Participating Works: Planning:The Quartet of the Azure Beyond the Blue EXTRA2S/P
- Participated in: Script:Gray Fruit, Maze, Paradise
- Participated Works:Uphill Typhoon Portable Edition
- Participated Works:Sanarara
- Providing reference for character design images:Yumiko Sakaki (Gray Fruit)
References
- sprite：Aokana EXTRA1
- sprite：Aokana EXTRA2
- PROTOTYPE：grisaiafull spec
- The second installment of the gray commemorative interview-style column
- Den Fami: Nachi Kio talks about the production management of early doujin teams
- Den Fami: Nachi Kio talks about supplementary transcription and animation composition
- Entergram release material: Hurricane Portable from Sakaagari
- 4Gamer: Portable opening credits revealed
- ERCR: Sanarara Attribution Transcription
Data compiled on: 2026-10-10.