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Hiroshi Ishibashi

Hiroshi Ishibashi was credited as the arranger for the first track of the 2016 physical original soundtrack in the "Narcissus 10th Anniversary Anthology."

Additional information
Shuixian 10th Anniversary Anthology Post2016 Physical Original Soundtrack 1 Arrangement
Shuixian 10th Anniversary Anthology Post2016 Physical Original Soundtrack 30 Arrangement
Shuixian 10th Anniversary Anthology PostComposer of the 32nd track on the 2016 physical original soundtrack
Shuixian 10th Anniversary Anthology Post2016 Physical Original Track 32 Arrangement
Narcissus PostComposer of the vocal album version of 'Narcissus ~If There Were a Tomorrow~ (SDCR-0031)'
Narcissus PostArranged for the vocal album version of 'Narcissus ~If There Were a Tomorrow~ (SDCR-0031)'

Produced related to the 10th anniversary anthology of Narcissus

Hiroshi Ishibashi credited the first track of the 2016 physical original soundtrack as the arranger. Hiroshi Ishibashi credited the arrangement for the 30th physical soundtrack of 2016. Hiroshi Ishibashi credited the 32nd track on the 2016 physical original soundtrack as the composer. Hiroshi Ishibashi credited the arrangement for the 32nd track on the 2016 physical original soundtrack.

Shuixian-related production

Hiroshi Ishibashi credited the composer on the album version of "Narcissus ~If There Were a Tomorrow~ Vocal Album (SDCR-0031)." Hiroshi Ishibashi credited the arrangement on the album version of "Narcissus ~If There Is Tomorrow~ Vocal Album (SDCR-0031)."

Autumn songs and melodies

PS2's '120 Yen Autumn' was composed by Hiroshi Ishibashi (Barbarian On The Groove), with lyrics by Yanachii and performed by Miglen.

Early commission and 2019 production method

Hiroshi Ishibashi uses the name Basy on his official website. After graduation, he proactively contacted studios and production companies, becoming an assistant at Studio Z'd, accompanying Hideyuki Fukazawa to production sites and submitting his demos to production managers he knew.

He collaborated with friends he met while working on ringtones to create the CD "I've Sound Tribute / Barbarian on the groove," which led to PC game music commissions.

In a 2019 interview, he explained that he mainly used Logic Pro for arrangement and mixing, and Digital Performer for recording and singing. When producing Nyarons' works, external sampling equipment such as the SP-404SX is also used to create the sounds.

He directly multisampled the Staccate Heaven timbre from the D-550, rearranged it on KONTAKT, and overlaid it with a software synthesizer; To make the piano stand out in distorted guitars, Clip Distortion is used for minor processing.

During mixing, he often uses VintageWarmer for stereo mixes, RS135 for vocal tracks, and also uses Vinyl's vintage parameters to alter the high-frequency texture.

Compositions usually start with chords from four to eight bars, looping and exploring the melody, with particular emphasis on the first two bars. If there are no results after several hours, he will switch roles or temporarily switch to other tasks.

When creating a song, he set the tempo based on the melody, imagined the singer's singing technique and breathing as he sang, and then arranged the rhythm of drums and bass. If there are still gaps in the accompaniment, the arrangement is finished, and the vocals complete the piece.

When producing for Nyarons, he chose the key, melody, and atmosphere based on chika's natural singing, recalling that the recording of "Melt in Night – Yoru ni Melkeru" went smoothly.

Related entries

References

Data compiled on: 2026-10-10.

本版编辑:免费机器翻译 · 2026-10-23

内容许可:CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

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