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Ceui

Ceui was credited as the vocalist for "Sun at Cross."

Additional information
Days in overlapping postsPerformed by the singer
Days in overlapping postsLyricist and co-composer
Eustia's post in the Filthy WingLyrics for the version of 'Eustia of the Corrupted Wings ORIGINAL SOUND TRACK.'
Eustia's post in the Filthy WingComposer of the version of 'Eustia of the Corrupted Wings ORIGINAL SOUND TRACK.'
Eustia's post in the Filthy WingLyrics for the version of 'Eustia -Original CharacterSong Series- EUSTIA'
Eustia's post in the Filthy Wing2011 theme single original recording, performed on track 1
Eustia's post in the Filthy Wing2011 theme single original recording, lyrics for the first track
Eustia's post in the Filthy Wing2011 theme single original recording, composer of track 1
Eustia's post in the Filthy Wing2011 Theme Single Original Recording, Track 1 Arrangement

The day is related to cross-production

Ceui participated in 'Eternal Flow', credited as a vocalist. Ceui participated in "Eternal Flow," credited as lyricist and co-composer.

Eustia related to Filthywing

Ceui is clearly credited as the lyricist in the version of 'Eyu no Eustia ORIGINAL SOUND TRACK.' Ceui was explicitly credited as composer in the version of 'Eyu no Eustia ORIGINAL SOUND TRACK.' In the version of 'Eustia -Original Character Song Series- EUSTIA', Ceui is clearly credited as the lyricist. Ceui was clearly credited as the first track vocalist in the original recording of the 2011 theme single. Ceui was clearly credited as the lyricist for the first track in the original recording of the 2011 theme single. Ceui was clearly credited as the composer of the first track in the original recording of the 2011 theme single. Ceui was clearly credited as the arrangement for the first track in the original recording of the 2011 theme single.

Stage name and debut

Ceui is pronounced 'セイ', and her stage name evolved from the Portuguese word 'ceu', meaning sky, and is a coined word meaning 'star'. She made her commercial debut in 2007 with 'Sleep in Paradise,' and later performed game and anime songs.

Collaboration and the tenth anniversary anthology

She participated in singing for Sound Horizon in 2010 and has been with Linked Horizon since 2013. In 2017, for their tenth anniversary since debut, they performed as a compilation animation for 'Akashic Records ~Ruby~' and 'Akashic Records ~Sapphire~' as well as a game theme song.

Independent works and stages

All new works included in her 2018 original album 'Sympatia' were written and composed by her. In 2019, they held the 'Tea Party Eden' and the acoustic production 'Healing Eden'; in 2021, they toured with 'Passion Eden'; and in 2022, they released the solfa feat. Ceui selected the album "Endless Sky" and held a 15th anniversary performance.

Early learning and musical influence

Ceui's mother was a piano teacher, and she arranged for her to study piano and practice daily. During his student days, he wanted to form a band, but the school did not allow light music activities. In 2012, she identified Ryuichi Sakamoto and Joe Hisaishi as major influences, hoping to sing with melodies that express their sense of expansion.

From radio drama outlines to songs

The song commission for the Eustia radio drama required her to draw inspiration from the outlines of each volume's script. "Snow Bird" starts from the conflicts, unease, and determination to move forward between Elaina and Lavelia; The second volume of songs originally used Cam's perspective, but after confirming it should be about Merte, she wrote 'Celestiara' from scratch.

The concept behind Propylaia's door

When collaborating with Kotaro Kodaka on the radio drama's opening song "Propylaia," the two quickly decided on direction based on their previous experience producing "Asphodelus." She envisions the new song as a heavy gateway to the world of her work, using a heavy tone to create a sense of solemnity.

The production goal of 'Pastel Eden.'

When producing the 2015 album "Pastel Eden," Ceui envisioned the album as a music amusement park that brings joy. She hopes listeners can both listen to the record and enjoy the songs live with her, so she incorporates this shared experience into the production goals.

Labyrinthus's story and song composition

When producing "Labyrinthus" in 2012, Ceui first wrote "Tenshi to Akuma no Sinfonia," then incorporated existing theme songs into the story, linking the four chapters with intersectional narration.

She placed the title track first, envisioned the voice of an invitation coming from afar, and prepared a large number of backing vocals; She recalled that this part was a difficult part of the production.

"The Day I Won't Be an Angel" uses an angel falling in love with God to express heartbreak, making it easier for her to sing about loneliness. "God Bless - Anata no Hikari -" offers a gentle response to a wounded fallen angel, conveying encouragement to listeners.

The track order arrangement also considers the original animated world of each theme song and the listener's feelings, blending old songs into new stories. She also discussed with the designer the idea of presenting the cover descending from a fallen angel using the "Angel's Staircase."

Related entries

References

Data compiled on: 2026-10-10.

本版编辑：免费机器翻译 · 2026-10-23

内容许可：CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/

本译文依据的源修订